Lost in depthless green
'Better
than the real world'
Virtual production studios are
replacing green screens
Heading
1: ______________________
essentially anywhere
the next big thing driven by gaming
software
three storeys high
This month, a new kind of film studio was
unveiled in Melbourne. Called a virtual production stage, it's a type of
facility that has been dubbed _______ in film and TV. The new one at
Docklands is the largest in the world. Imagine a wall of LED screens
________, as long as a soccer field. This bank of screens is
connected to powerful computers _________, able to create
high-resolution animated backdrops that respond to the perspective of the
camera. Inside this space, you can appear to be _________.
Heading
2: ______________________
painstakingly
sometimes it
their best performance in front of Plus,
nightmare shows up as
For years,
green screens have dominated big-budget movie production.
Actors run
about _______ bright green backdrops, emoting with anonymous figures in bright
green bodysuits. Then later, months after this filming stage has been
completed, an army of computer-generated imagery (CGI) artists _________ create
a fantastical world pixel-by-pixel.
Thor played by Chris Hemsworth
kissing a green screen Hulk, operated by director Taika Waititi.(Supplied:
Marvel Studios)
The end
results can be amazing, but the process is a _________. The lack of visual
information means actors struggle to give _______, while
cinematographers sometimes choose the wrong kind of lighting.
"All
the actors see is green," says Noah Kander, who wrote the Virtual
Production Field Guide for Epic Games book.
"The
camera people don't necessarily love it because they're lighting to something
that isn't complete."
______
those green walls create their own problems. Green-tinged light _______
green reflections or "spill" on uniforms and props, which
have to be removed in post-production.
"I
don't know anybody who loves working on green screen because it's a
compromise," Noah says.
"Sometimes
it looks good and _______ looks silly."
Heading
3_________________
Cloze
Virtual
production is ____ only a "green screen replacement", but can
also be better than filming in the real world, Greig says.
On The
Batman (2022), they shot a scene on top of a tower ___ sunset. Instead of
having only minutes to get the shot right, a volume gave them as ______ hours
as they liked.
"We
got really good consistent light for 12 hours," he says.
It can also
work out much cheaper.
"___
you're doing a commercial on the Moon, it's probably cheaper to do virtual
production," Vu Technologies' Tim Moore says.
"But
if you're doing a commercial in the park, it's probably cheaper in the
park."
Partly _____
this reason, he and others in the industry predict virtual production will
become the dominant filming method.
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