Before listening / watching
1. What is an Anglophone?
2. What is wrong with saying "five items or less"? Why do you think supermarkets use this anyway?
3. What's the difference between "to infer" and "to imply"?
4. What is a pedantic person like?
5. Who was Oscar Wilde? Why do people often quote his sayings?
6. Which is correct: "none of them are of importance" or "none of them is of importance"? Does it matter?
7. What can you do with an apostrophe?
8. Which were these people? Picasso, Stravinsky, Eliot, Monet, Mahler, Baudelaire.
9. Can you think of an example of a noun that we also use as a verb?
After listening
1. What, according to Stephen Fry, is the wrong way to bother with language?
2. What did Oscar Wilde tell his editors to do? What does Stephen want us to infer from this?
3. What do Picasso, Stravinsky, Eliot, Monet, Mahler, Baudelaire all have in common according to Stephen Fry?
4. What is the 'proper' sense of the word disinterested?
5. Who was really good at turning nouns into verbs?
6. What's the similarity between how we dress for different situations and how we use language?
7. " Context, convention and circumstance are all." What doers Stephen Fry mean by this?
Stephen Fry on the pleasure of language
Transcript:
For me, it is a cause of some upset that more Anglophones don’t enjoy language. Music is enjoyable it seems, so are dance and other, athletic forms of movement. People seem to be able to find ________ and ________ pleasure in almost anything _______ words these days. Words, it seems belong to other people, anyone who expresses themselves with originality, delight and _______ freshness is more likely to be mocked, ________ or disliked ______ welcomed. The free and happy ________ of words appears to be considered elitist or ________. Sadly, _________ sadly, the only people who seem to bother with language in public today bother with it in _______ the wrong way. They write letters to broadcasters and newspapers in which they are rude and haughty about other people’s ______ and in which they show off their own _________ ‘knowledge’ of how language should be. I hate that, and I _________ hate the fact that so many of these pedants assume that I’m on their side. When asked to join in a “let’s persuade this supermarket chain to get rid of their ‘five items or less’ sign” I never join in. Yes, I am aware of the _________ distinction between ‘less’ and ‘fewer’, and between ‘uninterested’ and ‘__________’ and ‘infer’ and ‘_____’, but none of these are of importance to me. ‘None of these _____ of importance,’ I wrote there, you’ll notice – the old pedantic me would have insisted on “none of them ____ of importance”.
Well I’m glad to say I’ve outgrown that silly approach to language. Oscar Wilde, and there have been few greater and more complete lords of language in the past thousand years, once included with a manuscript he was delivering to his publishers a compliment slip in ______ he had scribbled the ________: “I’ll leave you to tidy up the woulds and shoulds, wills and shalls, thats and whiches &c.” Which gives us all encouragement to feel less guilty, don’t you think?
There are all kinds of _______ around with more time to read and imitate Lynne Truss and John Humphrys than to write poems, love-letters, novels and stories it seems. They whip out their Sharpies and take away and add apostrophes from public signs, shake their heads at prepositions which end sentences and mutter at split infinitives and _________, but do they bubble and froth and slobber and cream with joy at language? Do they ever let the tripping of the tips of their tongues against the tops of their teeth ________ them to giddy euphoric _____? Do they ever yoke impossible words together for the sound-sex of it? Do they use language to seduce, charm, excite, please, affirm and tickle those they talk to? Do they? I doubt it. They’re too farting busy _______ at a greengrocer’s less than perfect use of the apostrophe. Well sod them to ______. They think they’re guardians of language. They’re _____ more guardians of language ______ the Kennel Club is the guardian of dogkind.
The worst of this sorry bunch of semi-educated losers are those who seem to glory in being irritated by nouns becoming verbs. How dense and deaf to language development do you have to ________? If you don’t like nouns becoming verbs, then for heaven’s sake avoid Shakespeare _______ made a doing-word out of a thing-word every chance he _______. He TABLED the motion and CHAIRED the meeting in which nouns were made verbs. New examples from our time might take some _______ used to: ‘He actioned it that day’ for instance might strike some as a verbing too _____, but we have been sanctioning, __________, propositioning and stationing for a long time, so why not ‘action’? ‘Because it’s ugly,’ whinge the pedants. It’s only ugly because it’s new and you don’t like it. Ugly in the way Picasso, Stravinsky and Eliot were once __________ ugly and before them Monet, Mahler and Baudelaire.
Pedants will also claim, with what I am sure is eye-popping insincerity and shameless __________, that their fight is only for ‘clarity’. This is all ________ well, but there is no doubt what ‘Five items or less’ means, just as only a dolt can’t tell from the context and from the age and education of the speaker, whether ‘disinterested’ is used in the ‘proper’ sense of non-partisan, or in the ‘improper’ sense of _________. No, the claim to be defending language for the sake of clarity almost never, ever holds ______. ________ does the idea that following grammatical rules in language demonstrates clarity of thought and intelligence of mind.
Having said this, I admit that if you want to communicate well for the sake of passing an exam or job interview, then it is obvious that ______ original and excessively heterodox language could land you in the soup. I think what offends examiners and employers when confronted with extremely informal, unpunctuated and haywire language is the __________ of not caring that underlies it. You slip into a suit for an interview and you dress your language up too. You can wear what you like linguistically or sartorially when you’re at home or with friends, but most people accept the need to _______ up under some ____________ – it’s only considerate. But that is an issue of fitness, of _________, it has nothing to do with correctness. There no right language or wrong language any _________ than are right or wrong clothes. Context, convention and circumstance are all.
Transcript:
For me, it is a cause of some upset that more Anglophones don’t enjoy language. Music is enjoyable it seems, so are dance and other, athletic forms of movement. People seem to be able to find sensual and sensuous pleasure in almost anything but words these days. Words, it seems belong to other people, anyone who expresses themselves with originality, delight and verbal freshness is more likely to be mocked, distrusted or disliked than welcomed. The free and happy use of words appears to be considered elitist or pretentious. Sadly, desperately sadly, the only people who seem to bother with language in public today bother with it in quite the wrong way. They write letters to broadcasters and newspapers in which they are rude and haughty about other people’s usage and in which they show off their own superior ‘knowledge’ of how language should be. I hate that, and I particularly hate the fact that so many of these pedants assume that I’m on their side. When asked to join in a “let’s persuade this supermarket chain to get rid of their ‘five items or less’ sign” I never join in. Yes, I am aware of the technical distinction between ‘less’ and ‘fewer’, and between ‘uninterested’ and ‘disinterested’ and ‘infer’ and ‘imply’, but none of these are of importance to me. ‘None of these are of importance,’ I wrote there, you’ll notice – the old pedantic me would have insisted on “none of them is of importance”.
Well I’m glad to say I’ve outgrown that silly approach to language. Oscar Wilde, and there have been few greater and more complete lords of language in the past thousand years, once included with a manuscript he was delivering to his publishers a compliment slip in which he had scribbled the injunction: “I’ll leave you to tidy up the woulds and shoulds, wills and shalls, thats and whiches &c.” Which gives us all encouragement to feel less guilty, don’t you think?
There are all kinds of pedants around with more time to read and imitate Lynne Truss and John Humphrys than to write poems, love-letters, novels and stories it seems. They whip out their Sharpies and take away and add apostrophes from public signs, shake their heads at prepositions which end sentences and mutter at split infinitives and misspellings, but do they bubble and froth and slobber and cream with joy at language? Do they ever let the tripping of the tips of their tongues against the tops of their teeth transport them to giddy euphoric bliss? Do they ever yoke impossible words together for the sound-sex of it? Do they use language to seduce, charm, excite, please, affirm and tickle those they talk to? Do they? I doubt it. They’re too farting busy sneering at a greengrocer’s less than perfect use of the apostrophe. Well sod them to Hades. They think they’re guardians of language. They’re no more guardians of language than the Kennel Club is the guardian of dogkind.
The worst of this sorry bunch of semi-educated losers are those who seem to glory in being irritated by nouns becoming verbs. How dense and deaf to language development do you have to be? If you don’t like nouns becoming verbs, then for heaven’s sake avoid Shakespeare who made a doing-word out of a thing-word every chance he got. He TABLED the motion and CHAIRED the meeting in which nouns were made verbs. New examples from our time might take some getting used to: ‘He actioned it that day’ for instance might strike some as a verbing too far, but we have been sanctioning, envisioning, propositioning and stationing for a long time, so why not ‘action’? ‘Because it’s ugly,’ whinge the pedants. It’s only ugly because it’s new and you don’t like it. Ugly in the way Picasso, Stravinsky and Eliot were once thought ugly and before them Monet, Mahler and Baudelaire.
Pedants will also claim, with what I am sure is eye-popping insincerity and shameless disingenuousness, that their fight is only for ‘clarity’. This is all very well, but there is no doubt what ‘Five items or less’ means, just as only a dolt can’t tell from the context and from the age and education of the speaker, whether ‘disinterested’ is used in the ‘proper’ sense of non-partisan, or in the ‘improper’ sense of uninterested. No, the claim to be defending language for the sake of clarity almost never, ever holds water. Nor does the idea that following grammatical rules in language demonstrates clarity of thought and intelligence of mind.
Having said this, I admit that if you want to communicate well for the sake of passing an exam or job interview, then it is obvious that wildly original and excessively heterodox language could land you in the soup. I think what offends examiners and employers when confronted with extremely informal, unpunctuated and haywire language is the implication of not caring that underlies it. You slip into a suit for an interview and you dress your language up too. You can wear what you like linguistically or sartorially when you’re at home or with friends, but most people accept the need to smarten up under some circumstances – it’s only considerate. But that is an issue of fitness, of suitability, it has nothing to do with correctness. There no right language or wrong language any more than are right or wrong clothes. Context, convention and circumstance are all.
